The Metro: A new bridge, an old connection. What the Gordie Howe Bridge means for Detroit and Windsor

Border-culture scholar Lee Rodney on whether the first publicly owned bridge between the two cities can reconnect a region the border has spent two decades pulling apart.

Gordie Howe bridge construction 1-photo by David Leins WDET

The Gordie Howe Bridge connects Windsor, Canada and Detroit, Michigan.

Detroit and Windsor sit across a narrow river from each other, close enough to see the lights on the other side. For decades, they existed like one town in two countries. Auto parts crossed the water again and again before a single car was finished. Families, music, and Saturday nights moved back and forth with a constant rhythm.

Then, after 9/11, crossing got harder with longer waits and tougher searches.

Soon, the two cities will cut the ribbon on something new between them: the Gordie Howe International Bridge. That ribbon cutting, scheduled for June 12, has been postponed, and officials aren’t saying exactly why. 

Canadian Prime Minister Mark Carney has called the bridge a symbol, but also a fact of cooperation. Yet it comes at a tense moment. President Donald Trump has threatened to block it, wrongly claiming the U.S. would get nothing from a bridge that Michigan actually co-owns.

So what does this bridge, the first publicly-owned one at this border, do for Windsor and Detroit — and for the people who have spent their lives crossing between them? 

On The Metro, host Robyn Vincent spoke with Lee Rodney, a border-culture scholar at the University of Windsor and creator of the Border Bookmobile, about what a new bridge actually does for a region the border has divided.

Hear the full conversation using the media player above.

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Authors

  • Robyn Vincent
    Robyn Vincent is the co-host of The Metro on WDET. She is an award-winning journalist, a lifelong listener of WDET, and a graduate of Wayne State University, where she studied journalism. Before returning home to Detroit, she was a reporter, producer, editor, and executive producer for NPR stations in the Mountain West, including her favorite Western station, KUNC. She received a national fellowship from Investigative Reporters and Editors for her investigative work that probed the unchecked power of sheriffs in Colorado. She was also the editor-in-chief of an alternative weekly newspaper in Wyoming, leading the paper to win its first national award for a series she directed tracing one reporter’s experience living and working with Syrian refugees.
  • The Metro