The Metro: Music royalties help pay for Michigan state employee retirements
Jack Filbrandt, Cary Junior II, The Metro October 8, 2025Michigan’s pension fund invested over $1 billion in music royalties, earning money every time songs by artists like Billie Holiday and Tyla are streamed — but raising questions about who really profits from music.
A photo of vinyl records at a record store. Photo credit: Kay Wood, Unsplash
Detroit is a city with many musical connections. But one musical connection might be helping pay for your retirement.
Between 2010 and 2019, Michigan’s treasury pension fund invested $1.1 billion into music royalties. It significantly invested in Concord, an entertainment company that holds the copyrights to over 300,000 songs.
Its catalog includes timeless acts like Billie Holiday, Phil Collins, Cyndi Lauper, and more modern artists like Brent Faiyaz and Tyla. Every time their songs are streamed, Michigan pensions grow.
These investments are becoming more popular thanks to streaming platforms like Spotify, YouTube and Apple Music.
It raises questions about how an influx of financiers could impact the music industry. And considering so few artists own their catalog, what does it mean for the earnings disparity between the musicians who make the music and the investors who profit from it?
Helping us sift through this is the founder of CAD Management, Clayton Durant. He is also an adjunct professor of music business at New York University.
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Authors
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Jack Filbrandt is an assistant producer on WDET's daily news, arts and culture program, The Metro. He grew up on Lake Michigan and has called Detroit home for seven years. He's also a Detroit Documenter, covering local government meetings in the city. He previously worked for Wayne State's student newspaper, The South End, and The Battering Ram.
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Cary Junior II is an audio journalist and producer for The Metro on 101.9 WDET. Cary has worked as a producer or host on a number of projects. His work includes short and longform audio, documentary series and daily radio. In his five year career in journalism he has worked for Crooked Media, the Detroit Free Press, and now WDET - Detroit's NPR station.
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