The Baptizum Gospel Archive as a portal and a séance | The Metro

Ben Hall’s archive made it through a 2019 fire. Through Dec. 16, he’s able to play what remains of his historical recordings at MOCAD’s Mike Kelley homestead.

Ben Hall, CHOIR, 2026, 20 Years of MOCAD_ A Practice of Multiplicity, Part 1, Museum of Contemporary Art Detroit (MOCAD), September 9, 2026 - April 21, 2027. Image by Timothy Johnson

Ben Hall, CHOIR, 2026.

The Bap-Tizum Black Gospel Archive built by Detroit artist, composer and essayist, Ben Hall, is one of the largest collections of Black and African American sermons, hymns and songs. 

In 2019, a fire burned Hall’s home, destroying items, yet as if a miracle, a few gospel records survived. 

Choir: The Theology of Preservation through sermons and songs from the Bap-Tizum Black Gospel Archive is an exhibition at the Museum of Contemporary Art Detroit.

Hall plays records from the collection every Wednesday through Dec. 16 from noon to 2 p.m. The sessions take place inside the Mike Kelley Homestead at MOCAD. 

Hall is a 2014 Kresge Artist Fellow, co-director of Catalytic Sound Collective, an experimental music streaming platform. He’s also currently working on the book by the name of A Black Liberation Music Guide. 

He joined The Metro to talk more about the exhibition and music as a portal to the past.

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Authors

  • Tia Graham is a reporter and Weekend Edition Host for 101.9 WDET. She graduated from Michigan State University where she had the unique privilege of covering former President Barack Obama and his trip to Lansing in 2014.
  • The Metro